404 FESTIVAL / 15 YEARS!

DAVID CLARK

CANADA

DAVID CLARK

CANADA

Biography

David Clark is a media artist, filmmaker, and visual artist who has produced work for the internet, gallery installations, narrative films, and public art commissions. His work has been shown at the Canadian Embassy in Berlin, Biennale Nationale de Sculpture Contemporaine, Trois-Rivières, Sundance Film Festival, SIGGRAPH, European Media Arts Festival, Transmediale, 2012 Winter Olympics, and the Museum of Moving Images in New York. He won First Prize at FILE2002, Sao Paulo and the ‘Best in Show’ at the 2003 SXSW Interactive Festival in Austin, Texas. In 2006 the MICA Galleries in Baltimore organized a survey exhibition of his work. He has recently been included in two major surveys of electronic literature at museums in Mexico City and Barcelona. 88 Constellations for Wittgenstein was included in the Electronic Literature Collection #2 and won the $25,000 Lieutenant Governor of Nova Scotia Masterworks Award in 2011. He teaches Expanded Media at NSCAD University in Halifax.

“Explorations in Anonymous History”

Interactive Media Artwork

This interactive media artwork is a companion piece to a program of research headed by Janine Marchessault and Michael Darroch that examines the innovative interdisciplinary journal ‘Explorations’ published in Toronto between1953 and 1959. This series of eight publications edited by Marshall McLuhan and Edmund Carpenter along with urban planner Jaqueline Tyrwhitt, political economist Thomas Easterbrook, and psychologist D. Carleton Williams, represents a landmark in Interdisciplinary Studies bringing together a publication of unusual intellectual diversity for its time, including anthropological studies of media effects, experimental poetry, scientific studies, and urban studies.

The work animates a text entitled “Five Sovereign Fingers Taxed the Breath” that was published anonymously in Explorations 4. It has been also attributed to Marshall McLuhan in later publications. This interactive artwork transposes the graphic and conceptual experiments with collage and juxtaposition that were characteristic of the Explorations publications to the interactive and expansive realms of today’s digital technology. It poises new examinations of the potential of archival and database-centered experiences in the age of the internet. The work presents of model, championed by the Explorations project, of a scholarship that is experimental in nature and aware of the effects of contemporary media.